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                    <text>8

THE HUSK

THE HUSK

Waiting
DAVID MEYER

The woman with the big black handbag slid out of
her car. ·S he slammed and locked the door, smoothed
down her skirt, and looked around. She caught a pair of
dark brown eyes staring at her. They blinked. They
were a boy's, round and mysterious, peering from the
car opposite· hers. · She smiled at them, and they disappeared somewhere beneath the dashboard. The rascal,
she thought to herself.
Tim watched her walk across the parking lot to the
drugstore. She was· following Grandpa!
He watched as the large figure of his grandfather
passed through the revolving doors of the store. The
lady with the big black handbag was crossing the street.
Tim had watched her park the car; he had seen her turn
in at the intersection as they drove by, and had looked
back to see if she was following them. She had been·
three· cars back. He did like the car she was driving,
with its silver swan on the hood, and the bugs and butterflies plastered across the front grill.
''Where're we· going now 1'' he asked his grand1
fathe·r as they turned into the parking lot.
''I'm going to the drugstore,'' was the answer.
"What'd'ya going to do there1''
'' I have to get some pills.''
'' What kind of pills 1' '
"Doctor's pills," his grandfather said, finding a
place to park. He switched off the ignition and pulled
on the, parking brake. The silk of his palm tree-covered
sports shirt whispered across the car seat as he eased
himself out. His big spotted hands dug into his loose
trouser pockets and rattled the keys and chang·e.
"What'd'ya need pills for?'' he a.sked his grand~
father.
The bald, deeply tanned head dipped back inside the'
car and looked -over at the boy. The grey eyes smiled.

9

''To keep
· ,
about
d my mside-s goin0o- '' he chuckled.
'
acan ybar ?"
"How
"Can't I go too, Grandpa 1''
''
.
Why
don't
t
I'll be b ack m
. just
you
s ay there
a min
, , and guard the groceries.
"B
u e.
ut I got nothino- t
"You'll d 1 . o o guard them with.''
o al nght ·" h'
sfood back up until hi 'h is grandfather laughed He
watched his wrinkled s ead was above the, car. .Tim
hairs, slowly shut the armds, covered with the soft white
"
car oor.
A Clark Bar I" Tim called
"One Clark Bar I''
·
'' Are we going fishing 'l" h
l
father was about to cross th . t e ca led when his grand"M
es reet
aybe this afternoon , , h
·
''For sure?"
'
e called back to the car.
"For sure-."
Okay then. He sat down .
&lt;"
You nee~-ed a gun to guard t~n the seat.to wait.. A gun/
:formed mto guns Cl. k T ~ groceries I His hands
tb.i
..
.
ic .
riggers· cock ed and every·' n:g rea:dy
for trouble.
Grandpa was half
the lady with the crush:aabu~~~o;l~ the street by the time
plac.e,..to park Tim d
h' er ies on her car found her
rew is guns
)lfi;umbl
. ed a:bout· with somethino. . H e watched as she
~he car, then looked at him Hm there, t~en slid out of
ing: He ducked down
old your fire, she's smilsmil"e?
·
ooey. Why did she have to

Ph

th i![1he
. neX t t·1me he looked

h
.
·.~ ·rugstore, behind his r up s e was walking toward
choppy steps that ir~:!ttter. ,~he walked with
o ~- Wa.lk faster, Grand I
e; c oser. and closer
raised his hands ~·. She s catching up with
i ._
G:rr;indpa gets inside.
is guns. Na-b etter wait

fu~\ .
!n;:l Jre

a.nd Hey,
look dW"her
. e '.s th e groceries? He t
.
nut butte ~o the floor in the back
up m the seat
er in there somewheres-but l~t ethTthere.'s pea_a wait until

Ssf

��12

THE HUSK

THE HUSK

the cold Atlantic. All the fishing boats, came in that way,
and a lot of the time they had to reel in on the· rods before a boat passed over and tangled their lines. The
men in the boats always waved. 8ome threw them stray
fish that had been entangled in their nets.
''Your grandma will think we 're some fishermen all
right,'' his grandfather would say, filling the fishing
bucket in the trunk of the car. ''We '11 have to come out
here more often.''
Tim shif.ted on the seat of the car. One arm slipped
over and his hand touched the floor.
The color of the water splashed around in his· mind.
The yellowgreen, clear waving cloudiness of it swayed
behind his eyes: seeing again the distorted little rocks of
the shallows, the bre,ezy sea weed, and tiny transparent
fishes that skitted out of reach of his hands. When he
got bored with trying to catch them, he hit the water with
his flat open palm.
"Hey, watch your line-," his grandfather would say.
''Don't hurt little things.''
'' When I learn to swim,'' Tim said, '' and can go
under water ... ''
Other afternoons the sun wouldn't be out ; the wind
would blow up, and the water made no shallows, but
splashed up over the rocks in big salty sprays. That was
no time for fishing, but they were there.
'' But where ·a.re the boats, Grandpa~''
"The boa.ts are out there."
'' Why aren't they coming in,''
'' When they 're ready they '11 come.''
"Oh, its cold now, isn't it. Are the fish down there
cold now, -Grandpa~''
. "It's· warm down there," his Grandfather said!.,
''You'd be surprised.''
Tim's eyes opened wide, then shut again for the
glare of the sun. He was warm and perspiring. ~e
licked his tongue around the inside of his mouth. Dirnwy
he thought of Pepsi-Cola.

13

'' But I don't think you sh ould bother your grandfather."
" But he wants to go too Mom ,,
:: B~t I don't think he should do you, John T"
Tim, your grandfathe-r isn't the best p
more.''
er son any-

i

" WhaU"
''Tim--''
"What, Dad 1"
''T
. your grandfather deserves his rest.''
. im,
· t ed ; h"is head turned against the
: Trm's
,
.eyes
. sqm~
seat. The Jettrns a.gam. the ·b reeze. th b t
.
the shal!lows.
'
' e oa s passmg by;
'' A.re you going to fish, or aren't you 1''
'' I thought I saw this little fish '' h
.d d
.
the rest of the r,ocks, into the shall ows
' . e sai ' roppmg

. "Ye~'re never going to catch a fish
:rocks at i,t. Here, take your line back "
by throwing
''Hrandpa 1''
·
,
''T,ake your line and hold it steady,,
'' Qjan.dpa? ''
·
''WJill.t?''
"(it
,l
_ · I"an:upa.,
are you tired 1' '
He woke up with th t t f
m~nth, ht it was only d~ie~s ;,.i~b[ee~:u:hbut~der in h~s
chm. Tne· back of his ha d . d .
e si e of his
Wh
.
n wipe it away. Boy it's hot
-ere are you, Gr,andpa?
'
.
He sat up, and lo k d t
t~e ousy street to theo d~ ;~ across the ~arking lot and
h~ up. lt wasn't the
orfe. Somethmg had woken
as e O peanut butter; it was a
noise"
j/

to:

Lookt
The lady!
She's comin thi
.
'
A badge! T'he
s Is way, and there s a man with her.
they come.
p . Get your guns ready boys -- here

!a

n·is h. ands f ornied into
the machine
. .
gun in h",
'guns aga.m. Two forty-fours,

rs lap:, and the secret bomb knob in

I

�14

THE HUSK

close· reach. She was walking fast again, but faster than
before, and the man in blue was talking to he·r .
What was that noise?
· Here they come. Grandpa, they're coming, but I'm
all ready for them. I'll take care of them.
Click, click. Guns are ready. Here they -Hey, what's wrong? Why's she pointing at our car?
St,ay away lady or I'm going to have to shoot. I'm going
to have to shoot you people. I'm going to have to blow
up your car with my-Grandpa, they're coming over here. They're pointing at me. Grandpa, where are you? Grandpa?
Grandpa!
The ambulance was in front of the drugstore as the
woman with the big black handbag, accompanied by the'
policeman, crossed the street. .She had a hard time
walking fast, her legs were weak and shakey, and she felt
faint the whole time. Just to show him the hoy and get
to her own home. That's all she could be expected to/do.

Bullhead
FRED MOECKEL

Knee deep the boy,
splashing naked joy
and water and mud,
feels the throbbing blood
in him pulse pulse,
feels the swelling of hands' full
of fish, the tail slapping
his stomach, the .body leaping
but held down : lithe thing
and slime squeezing, splathering
between his legs. The head
enlarges, sucks air instead
of mud; its barbs hang useless,
spent and limp, as the child's flesh
of him who caught the still fish.

;

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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Winifred Mayne Van Etten</text>
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              <elementText elementTextId="301">
                <text>Clyde "Toppy" Tull</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="302">
                <text>This work (The Husk), identified by ENG273-7 at Cornell College, is free of known copyright restrictions.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="303">
                <text>PDF</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="304">
                <text>en-US</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="954">
                <text>Poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
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